Review The Muppets | poetslandscape
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The Muppets (Disney, directed by means of James Bobin, characters with the useful resource of Jim Henson, screenplay by Jason Segel and Nicholas Stoller) might be one of the least
On the Right there was Diary of a Wimpy Kid II: Rodrick's Rules, the gawd-awful Hop, and Hoodwinked Too (all of which cast/accented the "good" people as Anglos/Americans and the bad/problematic people as foreigners) and possibly Mars Needs Moms (which became almost an Orwellian "Animal Farm" style parable against radical feminism).
On the Left would be the recent Happy Feet II that IMHO continued to be needlessly heavy-handed about global warming.
Still arguably left of center but at least gentler were Rio and Rango, which both had environmental themes. But in the case of Rio made by Brazilian-born Carlos Saldanha there was a reminder that the people of Brazil (like the little street kid Fernando) are important too and not just its birds and trees. And Rango ultimately seemed like a clever cartoon remake of the "hardboiled L.A./conspiracy" classic Chinatown [1974]. Then there was Cars II whose consumerist message "cars are people too" I honestly just don't like. (NO "cars" are _not_ people. They are definitely _things_. I have a similar criticism though less adamant of Pixar's Toy Story series).
The Muppets would certainly fall on the left of center scale by making the story's chief villain an "oil baron" named Tex Richman (voice by Chris Cooper) who wanted to buy the Muppets' Theater in Hollywood to tear it down and _drill for oil_ under it. But at least The Muppets were goofy enough (a la the Disney classic Who Framed Roger Rabbit [1988]) to make it obvious that they weren't all that serious. Here I'd add that those reading my blog would certainly suspect/expect that I'd not be a huge fan of "oil barons." On the other hand, I would definitely understand and defend to the end that THEY, "oil barons," are "people too." So I just wish that The Muppets' makers would have chosen to go the route of Mike Myers/Austin Powers' "Dr. Evil" or Steven Carrell's "Gru" of Despicable Me [2010] where the villains didn't carry any heavy-handed ideological baggage and there were attempts actually to explain _why_ the villains became the way they were.
So while I fully expected to be writing glowing recommendations for truly great animated children's films like The Incredibles [2004], Up [2009], How to Train Your Dragon [2009], Cloudy with a Chance of Meatballs [2009], and, yes, Despicable Me [2010], this year has been a real disappointment to me when it comes to children's movies.
Still I do believe that The Muppets in their goofiness and inspired play of the human boy friend/girl friend couple Gary (played by the film's co-writer Jason Segal) and Mary (played by Amy Adams of Disney's Enchanted/Giselle fame) were better than most of the children's movies of this year.
To the plot ... Gary, grows-up with best friend Walter (voiced by Peter Linz) in Small Town somewhere in the American Midwest. When they were kids, they were peas in a pod. But as they grow-up their differences begin to show. Gary after-all is human and Walter, well, is a Muppet. Still Walter could not have a better friend than Gary, who sticks by him through thick and thin, and even makes a decision to take Walter along with him on his and Mary's trip to Los Angeles. Gary is going on the trip with Mary because he wants to propose to her, while Walter thinks that they're going on the trip so that they could (finally) see the Muppet Theater, Museum and so forth. So problems inevitably ensue between Walter (Gary's BFF) and Mary (Gary's girlfriend and soon, as both Gary and Mary hope ... if all goes well, wife ...).
Things get even more complicated when to Walter's terrible disappointment, the three arrive at Hollywood's Muppet Museum/Theater and find it dilapidated and about to be sold to above mentioned villain "oil man" Tex Richman. This sets off an adventure as the three first seek to find Kermit the Frog (voiced by Steve Whitmore) and then the rest of the Muppet gang to try to save the Muppet Theater/Museum.
Much of course ensues, often very, very funny ;-). But in the midst of this an exasperated Mary also decides to put her foot down: "Gary, are you a man or a muppet?" And Gary has to decide.
This becomes a very nice movie about both respecting friends _and_ understanding that in the end, one's spouse (if one wants to ever find a spouse) has to come-out ahead of them.
So it turns out to be a great and zany story. I just wish they didn't have to _needlessly_ bring "Big Oil" into the tale at all ...
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